Lets make one thing clear right off the bat: this review is gonna be positive. Akira is not only my favorite anime but my favorite animated film bar none and one of my favorite films in general. Katsuhiro Otomo has crafted an animated scifi actioner for adults thats above reproach as a film a rarity since the vast majority of adult animation fails miserably by relying on dopey sex jokes and idiotic plot rather than solid storytelling and likable characters. Otomos film weaves together themes of friendship honor betrayal the deadly consequences of playing God gang war espionage corruption and the abuse of power while maintaining a breakneck pace throughout its running time. Throw it all in a blender and youve got one of the greatest if not the greatest animated film of all time a classic in every sense of the word.
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On July 16 1988 Tokyo was obliterated in a massive explosion setting off World War III. In 2019 Tokyo has been rebuilt as NeoTokyo a megalopolis crawling with malignant crime and governed by corrupt politicians where 16yearold Shotaro Kaneda Cam Clarke in the 1988 Streamline dub Johnny Yong Bosch in the 2001 Pioneer dub Mitsuo Iwata in Japanese is the tough cocky skirtchasing and bullheaded leader of the Capsules a biker gang thats currently at war with the Clowns a band of savage rapists. Kanedas gang consists of his friends 15yearold Tetsuo Shima Jan Rabson Joshua Seth Nozomu Sasaki whos like a brother to him 15yearold Kai Bob Bergen Anthony Pulcini Takeshi Kusao and 16yearold Yama Tony Pope Michael Lindsay Masaaki Okura along with a few others. During a brawl with the Clowns students are protesting and an oddlooking boy named Takashi Barbara Goodson Cody Mackenzie Tatsuhiko Nakamura with psychic powers has been abducted. After Tetsuo takes down a Clown his bike explodes upon nearly ramming Takashi. The boys arrive to find a battered Tetsuo. The army led by Colonel Shikishima Pope Jamieson Price Taro Ishida arrives on the scene and takes both Tetsuo and Takashi away while the boys are arrested. At the police station Kaneda gets 17yearold resistance member Kei Lara Cody Wendee Lee Mami Koyama released with them having taken an interest in her. Dr. Onishi Lewis Arquette Simon Prescott Mizuho Suzuki and his team of scientists conduct experiments on Tetsuo prompting his escape. After Tetsuo steals Kanedas bike to run away with his girlfriend Kaori Goodson Michelle Ruff Yuriko Fuchizaki and both are attacked by the Clowns Tetsuo beats a Clown to a pulp before he is again taken by the army to the facility that also holds Kiyoko Melora Harte Sandy Fox Fukue Ito who is credited as Sachie Ito Takashi and Masaru Bergen Mackenzie Kazuhiro Kamifuji who is credited as Kazuhiro Kando. When Kaneda tries to find out what happened to Tetsuo he and Kei soon find that Tetsuo newly equipped with telekinesis is being consumed by psychosis and after he murders one of their friends an enraged Kaneda resolves to stop him.
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As you can probably guess from the summary theres enough going on in Akira that it takes a few times seeing it to get everything making repeat viewings that much more rewarding. Even with Otomo having removed much of what was in his thenincomplete manga theres still more than enough to warrant its 124minute length. We see Kaneda worry about Tetsuo as a true friend does Tetsuo lose his grip on sanity and become someone else and Colonel Shikishima struggle against dirty politicians who only care about money its interesting arguably scary to consider how much of this stuff is actually happening in the real 2019 and has been happening for ages. We see the dangers of playing God in the result of Dr. Onishis experimentation as Tetsuo wreaks havoc on NeoTokyo which also doubles for the abuse of power and even earlier when Colonel Shikishima says that maybe they should leave that power alone. We also get glimpses at honor when Kaneda tries to curb Tetsuo from killing a Clown hes already beaten severely and with Colonel Shikishimas musings on a soldiers duty. On top of that Otomo throws in religious fanaticism as people blindly follow Tetsuo thinking hes Akira. Theres more where that came from and the stakes keep rising to keep you on the edge of your seat until the endgame finishes things off with a bang. Due to Otomo and Izo Hashimotos excellent writing skills the film isnt overstuffed and nothing feels out of place.
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The animation is stunning. All 327 colors are jawdropping check out those reds. Each background is vastly detailed the streets of NeoTokyo are gritty and grimy buildings vary from excellent condition to rundown and deteriorated we see walls and even a door with English profanity painted on them and the sewers are as filthy as a real one while the interiors of the hospital are immaculate in contrast to the clutter and graffiti of the school the boys attend. Each character looks like a real person with the wide array of facial expressions that entails while clothing looks like what real people wear. The gore is also highly realistic. Let it be stated right up front that anyone without an iron stomach will want to steer clear of Akira. Internal organs spill out a cop loses half of his face and limbs are removed which is not to mention the mutation scene akin to something out of John Carpenters The Thing. With that said the gore serves the story rather than the reverse. The attention to detail goes even further to the few animals depicted in the film the attack dogs near the beginning and even the dog thats seen in a commercial on a TV in the background look like real dogs and the rats in the sewer look like real rats. Put it all together and its a depiction of 2019 that looks a lot like the real thing. Another element that never ceases to amaze is the way Otomo keeps everything perpetually moving. Otomos decision to record the dialogue first and animate every nuance of the actors mouth is where he pulls out all the stops since this wasnt done in Japan at the time making it even more impressive that both dubs match the animation as well as they do.
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Whichever version one prefers though this fan is partial to the Streamline dub probably since its how I first saw the film performances excel and the film is wellscripted across the board. Clarke Bosch and Iwata are uniformly excellent as Kaneda the tough cocky and womanizing biker who cares about his friends and wont let anyone hurt them if he can help it a lot like I was at that age moreover that was around the time my sister became consumed by psychosis in much the same way Tetsuo does. While some have argued against both Clarke and Bosch usually in favor of the other as sounding too old I dont think thats the case with either when I was 16 I didnt sound all that far removed from Clarkes take having had a naturally deep voice since age 12. Another argument some have made against Clarke is that he speaks in monotone but nothing could be further from the truth his tone changes appropriately with the situations the character finds himself in. The same can be said of Rabson Seth and Sasaki as Tetsuo though Seth lags just a little behind. With that said this can be partly attributed to the Pioneer dub script though it is grating that Seth often mispronounces Kanedas name as Kahneeduh rather than Kuhnayduh or Kahnayduh. Take the scene where Tetsuo advances on the soldiers in the government hospital and Seth says Its no use hiding anymore while neither Rabson nor Sasaki says anymore. Its not that big a deal and it can be attributed to the Pioneer dub script but it takes away from his menace some. With that said all three portray him as an abused kid who loses his sanity and despite being the villain you feel bad for him or at least I do since I see a lot of my mentally ill little sister there. Cody Lee and Koyama are firstclass across the board as Kei portraying her as tough but sensitive well in line with how Otomo conceived her. The same can be said of Pope Price and Ishida as Colonel Shikishima playing up his nononsense attitude and sense of a soldiers duty. Bergen Pulcini and Kusao are superb as Kai one of the films most likable characters. So are Pope Lindsay and Okura as Yama the most confrontational Capsule and this can also be said for the rest of the three casts. Long story short you cant go wrong with any of them and each dubbed or subbed option is entertaining in its own way and tells the story faithfully enough.
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Music is a crucial part of any film. Akira is no exception and the Geinoh Yamashirogumi are up to the challenge using drums chants guitars gamelan percussion and even a church organ to form the musical score. Kaneda is the most recognizable having been used in nearly every trailer. Its easy to see why its an exhilarating track and its hard not to feel pumped once youve heard it. The same can be said of Battle Against the Clowns Tetsuo and Exodus from the Underground Fortress. The score mostly remains the same with the only radically different version being the Japanese hypersonic track that Geinoh Yamashirogumi founder Shoji Yamashiro mixed in 2008 for the films Bluray release. In this version which Yamashiro mastered at 192 kHz music has been moved around some pieces are shortened some are replaced with alternate versions and the piece used during the flashback to Kaneda and Tetsuos first meeting has been replaced with an organ heavily altering the scene and not necessarily for the better if you want my honest opinion the flashback is more powerful with the original piece of music sampled from Requiem. That said the entire score is incredible and Ive listened to it countless times. In addition to the score itself Otomo squeezes in Tokyo Shoeshine Boy by Teruko Akatsuki during the scene at the mall where the groupies walk off from Kaneda Kai and Yama. Throw a headturning sound design into the mix and youve got a terrific film thats firing on all cylinders.
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Akira is a fun and exciting film I could watch over and over again as of writing Ive seen it upwards of 30 times since my first viewing. Wanting to see it ever since age 11 it knocked my socks off when I finally saw it at 18. At 30 years old it continues to stand the test of time. Its a timeless film just as relevant and engrossing today in 2019 if not more so than when it first dropped on Japan in 1988 and the United States in 1989. Akira was one of the first anime to arrive in the western world uncut without it we may not have Nausica of the Valley of the Wind and many more of the best Japanese animation has to offer without a single frame removed. Akira is the best animated film ever made for an adult audience and one of the best films of the 1980s anime or otherwise. Its characters are welldrawn and feel real it deftly handles global issues that are still at work today its frenzied action scenes continue to thrill with repeated viewings and its vastly quotable. Its imagery will remain burned within your psyche for the rest of your natural life and its musical score will ring inside your eardrums long after the credits roll. If you love scifi love action and can stomach the violence you should see Akira at least once. Who knows? Maybe youll like it and want to come back to it repeatedly. Akira earns my highest recommendation.
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