La siguiente resea est en Espaol e Ingls traducida con el apoyo de DeepL
La versin leda es la licenciada al espaol por Norma Editorial
El contexto y mi aproximacin acerca de cmo abordar la resea los he explicado al comienzo de la resea de la primera parte ests invitado a leerla. nicamente quiero mencionar la particularidad de que la ltima historia de esta antologa fue publicada mientras Fujimoto estaba en el tramo final de su primera obra serializada Fire Punch.
Ningyo Rhapsody
Publicada a finales de 2014 comparte el mismo ao que la ltima obra de la anterior antologa Shikaku. Y tambin cuenta con similares caractersticas narrativas un romance con elementos fantsticos propios de su contexto con una capa extra de inters que consiste en la inocencia debido a la corta edad de su protagonista lo que llamaramos un primer amor adolescente y uno prohibido por la diferencia de especie entre ambos.
Su temtica consiste en la belleza guiada hacia la apreciacin universal en este caso musical y siendo un puente para entablar una conexin entre quienes parecen no tener relacin. Tatsuki utiliza el contexto fantstico para un conocido mensaje universal sin pretensiones de ser innovador es en el cmo lo consigui que destaca su creatividad para establecer un mundo creble an en su extraeza y le di terreno para realizar detallados paneles no nicamente aquellos doble pgina tambin en varios de los comunes transmite belleza recuerdo y hasta terror correspondiente a la accin.
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Me wo Sametara Onnanoko ni Natteita Yamai
Otra historia con un factor romntico sin embargo este no es el ncleo sino que es el inesperado cambio del protagonista y cmo afecta a sus relaciones personales. A nivel de presentacin y dibujo es ms austero a comparacin de los trabajos previos y es entendible leyndolo se nota su enfoque aterrizado a la simpleza en donde el inters radica en el mensaje que quiere transmitir Fujimoto sin importar en que llegas a ser lo importante es aquel en quin quieres ser. Desde una posicin de perspectiva tambin es el primer trabajo con presencia de alguna temtica trans la cul volveremos a ver en algunas de sus futuras obras.
Yogen no Nayuta
Mi trabajo favorito antes de su primera serializacin. Se consolida su estilo artstico entendindolo de presencia consistente de los elementos que le caracterizan como dibujante: Los ojos las marcadas expresiones en primer plano especialmente si estn en secuencia trazando todos los momentos por los que est pasando el personaje el sombreado un esquema cuadriculado dinmico y la ubicacin de sus paneles que ocupan media y pgina completa.
A su vez es una narrativa completamente suya. Los elementos fantsticos y sangrientos estn igual de presentes que los instantes de recogimiento y conexin es una historia de hermandad otra de sus temticas recurrentes entremezclada con la dificultad de las circunstancia que le fueron impuestas las cules en s mismas tambin resultan de inters por esa normalidad ante lo extraordinario. Por supuesto tambin debo parte de mi apreciacin de forma inevitable a que el diseo de personaje de Nayuta seguramente te ser conocido si seguiste leyendo su obra.
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Imouto no Ane
Otra historia de hermandad est vez femenina y tiene otra par de interesantes temticas porque caracterizaran sus otros dos One Shot de sobrada fama aos despus la inspiracin artstica y el talento. Tampoco es una reflexin novedosa y el medio para conseguirlo en ltimas es sencillo el factor a destacar es la caracterizacin de ambas protagonistas en la brevedad se resalta la simplicidad de parientes entremezclados con la decepcin orgullo y un toque humorstico.
Su planteamiento es muy variado utiliza la pgina completa de diferentes maneras ya no es nicamente las acciones puntuales a destacar tambin son los sentimientos de la protagonista como incomodidad y lejana incluyendo utilizar la perspectiva en segn qu paneles y adems son reforzados por la viveza de las expresiones de sus personajes. Su trabajo mejor dibujado hasta ese momento nicamente referido a los One Shots.
Los paneles dedicados a esa representacin de que el talento se nutre es del esfuerzo siento que son una reflexin de Fujimoto respecto a su trayectoria basta con observar sus primeros trabajos para saber que no era ningn genio de la ilustracin su llegada a este punto es debido al mismo camino que ha tenido su protagonista.
La prctica continua.
English
The context and my approach on how to approach the review I have explained at the beginning of the review of the first part you are invited to read it. I just want to mention the particularity that the last story of this anthology was published while Fujimoto was in the final stretch of his first serialized work Fire Punch.
Ningyo Rhapsody
Published at the end of 2014 it shares the same year as the last work of the previous anthology Shikaku. And it also has similar narrative characteristics a romance with fantastic elements typical of its context with an extra layer of interest consisting of innocence due to the young age of its protagonist what we would call a teenage first love and a forbidden one due to the difference in species between the two.
His subject matter consists of beauty guided by universal appreciation in this case musical and being a bridge to make a connection between those who seem unrelated. Tatsuki uses the fantastic context for a wellknown universal message without pretensions of being innovative it is in the way he achieved it that highlights his creativity to establish a credible world even in its strangeness and gave him the ground to realize detailed panels not only those double page also in several of the common ones he conveys beauty memory and even terror corresponding to the action.
Me wo Sametara Onnanoko ni Natteita Yamai
Another story with a romantic factor however this is not the core but the unexpected change of the protagonist and how it affects his personal relationships. At the level of presentation and drawing is more austere compared to previous works and it is understandable reading it you can notice its approach grounded in simplicity where the interest lies in the message that Fujimoto wants to convey no matter what you become the important thing is who you want to be. From a perspective position it is also the first work with the presence of some trans theme which we will see again in some of his future works.
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Yogen no Nayuta
My favorite work before his first serialization. His artistic style is consolidated by the consistent presence of the elements that characterize him as a an artist: the eyes the marked expressions in the foreground especially if they are in sequence tracing all the moments the character is going through the shading a dynamic grid layout and the placement of his panels that occupy half and full page.
At the same time it is a narrative completely his own. The fantastic and bloody elements are just as present as the moments of recollection and connection it is a story of brotherhood another of his recurring themes intermingled with the difficulty of the circumstances that were imposed on him which in themselves are also of interest because of that normality in the face of the extraordinary. Of course I also owe part of my appreciation inevitably to the fact that the character design of Nayuta will surely be familiar to you if you have been reading his work.
Imouto no Ane
This one is about sisterhood and has another pair of interesting themes that would characterize his other two One Shot of great fame years later artistic inspiration and talent. Neither is a novel reflection and the means to achieve it is ultimately simple the factor to highlight is the characterization of both protagonists in brevity highlighting the simplicity of relatives interspersed with disappointment pride and a humorous touch.
His approach is very varied he uses the whole page in different ways it is not only the punctual actions that stand out but also the feelings of the protagonist such as discomfort and remoteness including the use of perspective in some panels and they are also reinforced by the vividness of the expressions of his characters. His best drawn work up to that moment only referred to the One Shots.
The panels dedicated to this representation that talent is nurtured by effort I feel that they are a reflection of Fujimoto regarding his trajectory it is enough to observe his early works to know that he was no genius of illustration his arrival at this point is due to the same path that has had its protagonist.
The continuous practice.
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80
/100