https://v.animethemes.moe/WatashiNoShiawaseOP1.
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Watching My Happy Marriage surprised me from its first few minutes though not quite because of any animation action or dialogue that it was uttering. Instead I was struck by just how quiet the series was as though it was somehow moving through a garden of gently falling petals and leaves. The show seemed to glide its way through its environment and its colors almost like it had been residing in the fleeting space that lies between sleep and the moment just before you lose yourself in drowsiness. Its hard to believe that a series that exudes such gentleness could have its central character be so broken so knocked down by the people ostensibly supposed to love her and yet still manage to decently pull it off without reading as too artificial or putupon as it easily could have been.
In keeping in harmony with the quietness of the surrounding space Miyo is likewise quiet though not for the sake of comfort or coziness. Her quiet stems from a neglect so awful that it could be called monstrous at best or beyond repugnant at worst her selfesteem relentlessly stomped upon time and time again by an unloving sister and parents. They regard her as an undesirable chattel with no supernatural powers of her own someone whose sense of worth is solely linked to whether she gets jobs done around the house. If she does manage to do so theyll find something wrong with what she did to them a ragged kimono is already enough of a charity for this Cinderellaesque person. Any small torch within Miyo is cradled by imagery of her mother and her friend Tatsuishi Kouji and its rather clear that the torch hes carrying for her isnt so little.
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The animators at Kinema Citrus headed by series director Kubota Takehiro understood that due to the quiet nature of the series more emphasis needed to be placed on the tinier details to bring out the inherent color of the story. Touches like the ant by the feet and the line work contribute greatly to this effect
Miyo as both a product of her unloving home and the time period this material heavily borrows from is thus framed as a character without a discernible exit. So when it is announced that she will be married off to Kudo Kiyoka leader of the supernatural antiGrotesquerie unit and subject of many unflattering rumors about his past treatment of other fiances it seems like it will begin the dawning of another cycle of horrible treatment. Though as we and Miyo herself begin to discover there are aspects of Kudos life and personality that the prevailing attitude others have towards him would never reflect. He is like Miyo in that sense the real self that is whole and selfactualized within the realms of presumptions and forced antagonisms by others. The main difference is that Kudo is already largely assured of himself while Miyo is not.
https://www.sakugabooru.com/data/01af3038529b4d796593b9ebf4ae7929.mp4
Kudos presence especially at first introduction acts as Miyos chance for salvation both from the family that renounced her and as the first stepping stone towards selfacceptance.
Because Miyo is not at that stage yet every step on her personal journey is full of the mental collisions between her old familys attitude and continuing presence in her life seeping into her selfperception and trying to be a good wife to not be rejected by her new family. My Happy Marriage avoids the pitfall of leaving Miyos headspace all tidy and fixed once the man comes into her life. Both in his actions and his words Kudo makes it clear that he is not able to fix Miyo and absolve her of all her worries and apprehensions. Instead he moves more as someone presenting opportunities rather than actively interfering only stepping in at times when it is wholly warranted and gently being there for her in listening to her and trying to make himself more presentable.
After all one cannot expect to undo years upon years of abuse and not have some kind of lingering impact. It is not enough for Miyo to get herself away from the Saimori family even though that undeniably helps. Miyo has to take those steps of her own volition and under her own willpower and the journey to that though long and slow in some notsoobvious ways allows us to witness a character transforming before our eyes. And likewise the relationship between Miyo and Kudo transforms as well while My Happy Marriage is ostensibly about Miyo the heart of the story lies in both Miyo and Kudo separately and together each passively or actively helping the other become the better versions of themselves.
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Miyo and Kudos dynamic rests within its soft discussions and contemplations fueling the more heartfelt drama of the series. It is a story of two people blooming together and realizing the best versions of themselves
But as their relationship grows the world they reside in as a couple also begins to grow outwards. As it does so the mediation between the supernatural and the natural begins to reach a misbalance. Events transpire within the dramaturgy that within the shows universe are undoubtedly significant with heavy gravity but never seem to have the necessary finesse to land with the punching weight that the earlier drama managed to convey. The new characters and social dimension regrettably move away from Miyo and Kudos relationship and introduce several new threads that are meant to weave into a morebeautiful tapestry. The colors and stitching dont quite rhyme with one another.
With only twelve episodes in its season many of the ideas introduced through the series both in its first arc and its later developments never seem to coalesce into a properlyrealized or integrated whole. Kudos involvement with the antiGrotesquerie feels blas only becoming vaguely relevant as the need arises all despite the text itself saying that their duty is too important to keep the citys way of life secure. Some characterization matters also leave the expanded cast with a worthwhile characterization in theory though not quite in practice. It moves too quickly so the ambient warmth that clothed even the earliest episodes mostbleak and demoralizing moments can never cling to anything as solidly. In its effort to show how vast its world can be My Happy Marriage had reoriented its emotional center to be less substantial than it was before. It is still present in its bits and pieces with Hazuki and Yurie in their own dialogues and interactions providing some muchneeded perspective but it feels decidedly more unlyrical when taken in its entirety. It feels less about Miyo and Kudos relationship and more about a world in which these two people happen to be important. It lost its gemlike brilliance as it continued turning its sparkle into something more markedly dulled.
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The second half opens the world of the story beyond the Saimori and Kudo household which unfortunately leaves things to move at a pace thats too quick to support its ideas
And its a shame. The show has a beautiful movement in its walk creating lovely aesthetic pillows out of its sensitivity to color light environments and the few times that it needs to pull off some semblances of action. When it all aligns it manages to kindle a soft flame that glows slowly everbrighter passing through its sentimentality with warmth and delicate sweetness. With a flame that delicate however the tiniest breeze can snuff it out. Much like Miyos mistaken ideas about how to be a proper wife the show seemed to have a mistaken idea about how to best orient or prioritize its drama as it continued. It awoke from its dreamlike state and into something where the colder exterior world was intrusively let in.
It appears that much like Miyo My Happy Marriage wasnt quite there yet.
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70
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